Sound Projects

Short film directed by Àlex Vega, where I was responsible for production sound direction, technical setup, and the studio recording of the voice-over added in post-production. The film was selected at the Soria International Short Film Festival and received the Audience Award in 2024.

Pilot episode directed by Mireia Amat. I handled sound direction and led the recording team on set. I coordinated the technical setup and addressed synchronization and microphone placement challenges in complex long-take shots with a wide angle in scene.

Pilot episode of the show directed by Arancha Silva. I supervised all direct sound recording and prepared the full technical setup for production, ensuring dialogue clarity across various locations and maintaining sonic continuity between scenes.

Short film directed by Martí Rovira. I carried out the full production sound recording on my own, handling complex multi-character scenes and wide shots with static camera setups but dynamic on-screen action.

Short film directed by Héctor Moreno. I worked as a sound assistant, operating the boom and ensuring proper microphone placement for each take.

Short film directed by Marina Julián. I handled all aspects of production sound, including technical setup and troubleshooting, adapting efficiently to different acoustic environments.

Fashion film directed by Laura Zabala. I developed the full sound design from scratch, creating an immersive atmosphere that complements the experimental aesthetic of the video.

Short film by Adrián Olmedo. I carried out editing, mixing, and mastering of the soundtrack, ensuring a seamless integration with the visual narrative and maintaining cohesion between pacing and ambient textures.

Advertising spot for Abacus promoting reading. I handled all post-production sound work and recorded both sound effects during filming and voice-over in the studio, ensuring a clear and professional integration with the visuals while creating an immersive sonic narrative.

I worked on post-production processes such as dialogue cleaning, ambience building, and final mixing to create an immersive sound narrative. I also designed extra-diegetic sounds to enhance the emotions conveyed by the images.